Matsuura Tomoya マツウラトモヤ 松浦知也
Menu

Curriculum Vitae

※This CV is printable. You can obtain PDF version by specifying "Save as PDF" from print option.

松浦知也 / Matsuura Tomoya

SoundMaker

Ph.D in Design

[email protected] https://matsuuratomoya.com

Born in 1994 in Chigasaki City, Kanagawa Pref. Living in Kanagawa Pref., Japan.

Last Updated: 2026.10.15

Educations

  • 2010.04~2013.03 Kanagawa Sohgoh Highschool
  • 2013.04~2017.03 Tokyo University of the Arts Music Creation and Environment in Music Program(Project 3:Sound Engineering, Kamekawa Toru lab.) Bachelor(Music)
  • 2017.04~2019.04 Kyushu University Graduate School of Design, Master Program Department of Design, Content and Creative Design Course, Digital Content Design Division(Jo Kazuhiro lab.)
  • 2018.09~11 School for Poetic Computation Fall 2018 Class
  • 2019.04~2022.03 Kyushu University Graduate School of Design, Ph.D Program Department of Design, Content and Creative Design Course(Jo Kazuhiro lab.)

Employments

  • 2015.02~2017.03 teamlab Sound Engineer
  • 2015.08~09 YCAM(Yamaguchi Center for Art and Media) interlab Internship
  • 2019.08 SFPC Summer 2019 in Yamaguchi Teaching Assistant
  • 2020~ Fukuoka Jo Gakuin University Part-time teacher (Sound Design)
  • 2022.04~2026.04 Project Assistant Professor at Art Media Center, Tokyo University of the Arts
  • 2026.10~ Part-time Project Assistant Professor at Art Media Center, Tokyo University of the Arts

Grants/Scholarships

Joint Research

Awards

Books

Nagatomi Mari, Chu Sota, Hidaka Ryosuke, Matsuura Tomoya, et al., Critical Words: Popular Music: Expanding and Updating “Listening” (contributor; Part III, “Programming”), Film Art, 2023.03.25, ISBN 9784845921317

Publications(Excerpts)

  1. Matsuura, T, Toward the Next Thinkerer: Notes on the Design of the “Code and Design” Course, AMC Journal vol. 5, pp. 75-89, 2026, https://amc.geidai.ac.jp/lab/archives/10841
  2. Matsuura, T, Hiding What from Whom? A Critical Review of the History of Programming languages for Music, Proceedings of the International Computer Music Conference 2025, 2025, https://doi.org/10.5281/zenodo.15285756
  3. 松浦知也, 無いことは口にできない、口にしないなら無い？–ジョナサン・スターン『減退した能力-インペアメントの政治的現象学』書評, メディウム 第5号, 2024(to be published)
  4. Matsuura, T, Lambda-mmm: the Intermediate Representation for Synchronous Signal Processing Language Based on Lambda Calculus, Proceedings of International Faust Conference 2024, 2024 https://hal.science/hal-04849629
  5. 松浦知也、音楽土木工学を設計する—音楽のためのプログラミング言語mimiumの開発を通じて、2022、九州大学大学院芸術工学府博士論文 https://matsuuratomoya.com/hakuron
  6. Matsuura, T. and Jo, K. 2021. mimium: A Self-Extensible Programming Language for Sound and Music. FARM 2021 - Proceedings of the ACM SIGPLAN International Workshop on Functional Art, Music, Modeling, and Design (2021). https://dl.acm.org/doi/10.1145/3471872.3472969
  7. 松浦知也、メディア考古学的視点から音の生成を再考する3つの作品制作、2019、九州大学大学院芸術工学府修士論文 https://github.com/tomoyanonymous/shuron/releases/download/v2.0.0/TomoyaMatsuura-MasterThesis-Submission.pdf
  8. Ioannidis, P., Matsuura, T. and et al. 2019. Exploring the Cross-Species Experience and the Coevolutionary Capacity: Sensorial Transcoding and Critical Play Design of Bio-Sonic Sense. Proceeding of RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology (RE:SOUND 2019) (Aug. 2019), 139–144. http://dx.doi.org/10.14236/ewic/RESOUND19.22
  9. Matsuura, T. and Jo, K. 2019. 計算機による音生成の異なるあり方を探る『Electronic Delay Time Automatic Calculator』の制作. 先端芸術音楽創作学会 会報 (Mar. 2019), 43–49. http://data.jssa.info/paper/2019v11n01/9.Matsuura.pdf
  10. Matsuura, T. and Jo, K. 2018. Aphysical Unmodeling Instrument : Sound Installation that Re-Physicalizes a Meta-Wind-Instrument Physical Model , Whirlwind. New Interfaces for Musical Expression (2018), 29–30. https://doi.org/10.5281/zenodo.1302662
  11. 松浦知也 and 城一裕 2017. 『Aphysical Unmodeling Instrument』 ―モデリングから音・音楽を再考するサウンドインスタレーション―. 先端芸術音楽創作学会 会報 (Dec. 2017), 17–26. http://data.jssa.info/paper/2017v09n03/3.Matsuura.pdf

Presentation, Guest Lectures

  1. Matsuura, T, “Multistage Programming in mimium, a Functional Programming Language for Music”, Functional Matsuri 2026, 2026.07.12
  2. Matsuura, T, “Introduction to Media Expression”, Industrial Art Course, Tokyo Metropolitan University (Guest Lecture), 2026.06.18 (Invited)
  3. Matsuura, T, “Artworks in the Age of Imitation Technology”, “Music and Acoustics”, Kyushu University (Guest Lecture), 2026.06.11 (Invited)
  4. Matsuura, T, “mimium, a Multipurpose Functional DSP Programming Language”, Audio Developer Conference Japan 2026, 2026.06.03, https://audio.dev/adc-japan-26/schedule/
  5. Matsuura, T, “Multistage Programming and Live Coding in the Music Programming Language mimium”, The 67th Programming Symposium (Yamauchi Encouragement Award Invited Lecture), 2026.01.10
  6. Matsuura, T, “mimium, a programming language for music based on extended lambda calculus, and implementation of VM for it”, The 66th Programming Symposium, 2025.01.10 https://jglobal.jst.go.jp/detail?JGLOBAL_ID=202502244058528895
  7. Matsuura, T, “Multistage Programming and Live Updating of Signal Processing Internal State in mimium”, SIGPX 11, 2025.10.06
  8. Matsuura, T, Sayuri Ihara, Ibuki Tada, Sasa-Marie, Yutaka Osugi, Takayuki Ito, “What Does It Mean to Make and Use Tools Inclusively?” Report on the CCBT + Tokyo University of the Arts Art Media Center (AMC) Music Device Development Project, 2024.11.10
  9. Matsuura, T, “Talking on Nothingness, Making Languages” , Department of Design, Kyushu University ”Sound and Acoustics” Guest Lecture, online, 2024.10.22 (Invited)
  10. Matsuura, T, Any Sound (Prural) You Can Imagine – Basic Lecture of Personal Computing as a Tool for Music, Bigakko「Basic Knowledge Series〜Introduction from Zero, History of Technology and Music 〜」, 2024.02.25 (Invited) https://teach.matsuuratomoya.com/docs/2024/bigakko-fromzero/
  11. Matsuura, T Domain-Spcificity, Normativity and Generality of the CST for Arts, AIST Creative HCI Seminor #5 Creativity Support Tools for artistic work, online, 2023.11.23 (Invited) https://chci.pages.dev/aist-seminar/5
  12. Matsuura, T, Department of Design, Kyushu University ”Sound and Acoustics” Guest Lecture, online, 2022-10-20 (Invited)
  13. Matsuura, T, Jo, K and Kubota, A, Towards a Civil Engineering of Music, a critical perspective on cultural and the military use of the computer for music, Rethinking the History of Technology-based Music, 2022.06.10
  14. 松浦知也, 城一裕, mimium:音と音楽のための自己拡張性の高いプログラミング言語の設計と実装, 第 29 回インタラクティブシステムとソフトウェアに関するワークショップ(WISS 2021), 2021.12.08
  15. Matsuura, T, “Can Technology (really) Change the Music?”, X-music research groupregular meeting, Keio University, 2020.06.06 (Invited) https://speakerdeck.com/tomoyanonymous/can-we-seriously-change-music
  16. 松浦知也, 城一裕 ,オーディオフィードバックに基づく電子音響楽器“Exidiophone”, 日本音楽学会西日本支部 7 月例会, 2018.07.14

Magazine Contributions, Reviews, and Interviews

  1. Matsuura, T, “Uncontrollable Instruments”, Eureka, August 2026 issue, feature on Shuta Hasunuma, 2026.07
  2. Matsuura, T, “I Made My Own Solar Cell! A Report on a Dye-Sensitized Solar Cell Workshop”, Monthly I/O, March 2026 issue, 2026.02.18
  3. Matsuura, T, “A Pick That Strums the Earth” - Review of Takuro Oshima’s Kakkin Rhapsody in Akita! (2023.01.15), Akita City Cultural Creation Center website, 2023, https://akitacc.jp/article/oshima_review/

Teaching

Artistic Activities

Exhibitions

Performances

  • “Garden of Phenomena: Spatial Expression Woven by Light and Shadow”, Tokyo University of the Arts, Ueno Campus, 2026.09.26
  • “Mother, Demos of All”, Solo Live Coding Performance, ART DX EXPO #3, Art Space, Tokyo University of the Arts, Ueno Campus, 2026.03.22
  • Tokyo University of the Arts Art Media Center Open Lab “Observatory” Yoik Practice, Chinretsukan Garelly in The Art Museum of Tokyo University of the Arts, 2025.05.20
  • Algotrek 6 2025.10.24, Long Pond, Providence
  • Sun Yizhou & Hiroyuki Ura & Naoki Nomoto, Ayami Suzuki & Takashi Masubuchi, Tomoya Matsuura, Satoshi Yashiro ,DJ FACE 2 FACE INOKI at ForestLimit 2023.07.04
  • Stain at Kyushu University Ohashi Campus 2023.05.13
  • Dynamics Range Semame, BUoY, 2022.09.22
  • Cyber Turn vol.1, Shimokitazawa LIVE HAUS, 2022.08.08
  • TELE MUSICKING, Goethe-Institute Tokyo, 2022.05.28
  • Solo Performance at Suidoubashi Ftarri, 2021.04.29
  • A mashup for “Nothing is Real(Strawberry fields)” & “I am sitting in a room” by Alvin Lucier, Online Performance, 2020.08.20
  • COMPUTER MUSIC PARTY(Ochiai Soup), 2019.12.08
  • OPAMで会いましょう。 Session Live w/Shuta Hasunuma, Ryotaro Miyasaka 2019.11.30
  • SLEEP 1(Ochiai Soup) 2019.02.17
  • Solo Performance at Suidoubashi Ftarri w/Reo Okagawa 2019.01.06
  • Park Live at Ginza Sony Park, 2019.04.27, w/Ayatake Ezaki (Keyboards), Manami Kakudo (Percussion, Ukulele, Voices, Tape Recorders), Yoshihiro Harada (Steel Pan)
  • FREQ x HardCoreAmbience(Kyushu University Ohashi Campus) 2018.12.20
  • Algorave Tokyo(ANAGRA TOKYO)　2018.08.19
  • Suidoubashi Ftarri 6th Anniversary Concert vol.3 2018.07.21
  • DOMMUNE Shuta Hasunuma Fullphil Special. 2018.08.01
  • Tsukuruto! vol.5(Kyushu University Ohashi Campus) 2018.07.15
  • 電磁的音族 KINK GONG JAPAN Tour(Yakuin IAF Shop*) 2018.07.08
  • Ftarri No Satogaeri (SuidoubashiFtarri) 2018.07.01
  • Alternative Act 1.0 Tech Performance Fes.(Kitasenju BuOY) 2018.04.14
  • FREQ2018 21世紀初頭の音と音楽(Kyushu University Ohashi Campus) 2018.03.30
  • 緑青 0 (Ochiai Soup) 2017.12.24
  • 楽譜づくり・楽器作り(Yakuin IAF Shop*) 2017.10.31
  • Tsukuruto！vol.3(Kyushu University Ohashi Campus) 2017.06.10

Shuta Hasunuma Full Philharmonic Orchestra

  • 「GENKYO Yokoo Tadanori」Associated programs One-coin relay concert vol.03 （Oita Otono Izumi Hall, as a guest of Hasunuma Shuta Philharmonic Orchestra）, 2021.12.14
  • Album Fullphony(2020)
  • Hibiya, Toki ga Kanaderu（Hibiya Yagai Ongakudo）2019.08.25
  • Fullphony（Sumida Triphony Hall）2018.08.18

Technical Support & Sound Design for Other Artists